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Concert update: Oakenfold in the Garden; Jenni Rivera; Randy Granger

British producer, DJ and trance master Paul Oakenfold will help the Garden celebrate its second anniversary next month.

He'll bring his "We Are Planet Perfecto" tour to the Union Plaza restaurant and club at 9 p.m. Oct. 21.

Tickets are $35 in advance, $40 at the door, on sale at Ticketbully, Hommework and the Garden.

It's a 21 and over show.

The tour comes as Oakenfold, one of the first electronic dance music artists to break through big, is putting the finishing touches on a new album, "Pop Killer," due early next year. It features guest appearances by Cee-Lo, Red Hot Chili Peppers and Matt Goss.

He's also winding down his three-year "Perfecto Vegas" residency at Sin City's Rain Nightclub. His last performances there will be Oct. 8 and New Year's Eve.

Oakenfold's website lists a performance time of 11:40 p.m. at the Garden, 511 Western.

In other news:

• Mexican regional pop star Jenni Rivera, who played here twice on her last, mariachi-themed tour, will debut her new Estrella TV talk show on Oct. 19.

"Jenni" is billed as a single-topic talk show designed to show "a different Jenni," as she put it in a press release.

Rivera, who recently sold out LA's Staples Center, was nominated for a Latin Grammy Award for her mariachi album "La Gran Senora en Vivo." They'll be handed out Nov. 10 in Las Vegas.

• Speaking of award nominations, Las Cruces' Randy Granger is up for two awards at this year's NAMMYs — the 13th annual Native American Music Awards.

His album "Pura Vida — This Is Pure Life" is up for best world music recording and best Latin American recording.

Those awards will be given out Oct. 7 in Niagra Falls, NY.

 

 

 

Concert review: Kathy Griffin rips on celebs and their foibles

A Kathy Griffin concert is a little like a party where there's that one person who breathlessly and profanely regales you with the latest gossip on all your friends and other people you've heard of.

For 90 minutes.

Only Griffin does her gossiping on a stage and all the people she talks about are her friends — or enemies, depending on if they can take a joke from the self-proclaimed D-lister.

An enthusiastic crowd of about 1,300 got most of the rapid-fire jokes and anecdotes, and laughed heartily at them, when the Queen of Dish returned Thursday for her first show here in four years.

Gwyneth Paltrow, a favorite target, apparently can't take a joke. Griffin, who wears her status as "the most avoided celebrity" as a badge of honor, recalled crossing paths with the actress for a taping of TV's "Glee," then imitated the put-upon star's "pissy face." You could just picture Paltrow doing that.

Apparently, Whitney Houston doesn't find Griffin's star-mocking schtick too slick either. Griffin again called on her own thespic skills (that's thespic, not lesbic) to illustrate the disheveled, finger-waving diva, a scary diarrhea-inducing encounter backstage at the Billboard Music Awards.

"Her wig is like a mood ring," Griffin cracked.

Paula Abdul may not even know she's the butt of the joke. Griffin recalled an encounter with the former "American Idol" and current "X Factor" judge, infamous for her lapses of coherency, on the red carpet last Sunday at the Primetime Emmy Awards.

"I will just say, and I'm not a pharmacist, she didn't seem to be aware of her whereabouts," Griffin noted.

The petite redhead got big laughs throughout the show, which flew by at an energetic, rapid-fire pace, so fast, in fact, that the verbally peripatetic forgot her place as she careened from the Emmys to "Jersey Shore" to Nancy Grace to "The Real Housewives of Atlanta" to Michelle Bachmann and the Kardashians, whose only apparent talents appear to be a gift for self-promotion and knack for humiliation.

"Wait a minute," she said. "What was I talking about?"

It was one of the funniest and most unexpected moments in a stream of trashy pop culture consciousness that veered a little too heavily into the world of reality TV (sorry, I just can't watch that much of a medium that relies on someone else's stupidity to make me feel better about myself) and not enough on politics.

Her knocks on Texas Gov. Rick Perry weren't that funny because they weren't insightful or informed enough. Griffin's at her best when she clearly knows a lot about her subject matter.

I could have easily listened to more of her cutting thoughts on the Palins and Bachmann's of today's political dog-and-pony show.

She did score early and often with local references, always a good way to break the ice and get the party started. Griffin had tweeted earlier (I can't tell you the word she uses to refer to tweets but it rhymes with watts) that three people asked what she was doing here within five minutes of her arrival in El Paso.

She couldn't resist making a few jokes about the name of the local car dealer Dick Poe, noting those kinds of cheap shot comedy gifts "don't often literally fall into your lap." Good thing she didn't see those "Hi, Dick!" TV commercials.

She got a better response for a bit about her Fox News-loving, "91-year-old alcoholic mother" who was concerned for her safety while here. "You're gonna be right near Joo-war-ez," she said, imitating her mom after half a box of wine.

Griffin, an outspoken advocate of lesbian, gay and transgender rights, saved her sharpest jabs for the local pastor leading the effort to recall Mayor John Cook and two City Council members for rescinding  his ballot initiative to block the city from extending health insurance to the partners of gay employees.

"I know I'm going to hell because Pastor Tom (Brown) told me," she said, raising her middle fingers in salute. She added a few unprintable words, then celebrated the sizable homosexual contingent in her audience (some waved rainbow flags).

"You are on the edge, El Paso," she said, pointing out that with gays at the center of a legal battle here and their ability to serve openly at Fort Bliss and all other military installations, she quipped that we have "a coat of many colors."

Griffin made fun of as many friends as she did foes, from Anderson Cooper (she sent him a text saying he looked like he'd put on weight while covering the hunger crisis in Somalia) to Ryan Seacrest, whom she kept referring to as "she."

Griffin also pokes fun at her own celebrity. One of the t-shirts she sold in the lobby was a takeoff of Andy Warhol's multi-colored portraits of cultural icons, the joke being that she's not an icon. Yet.

A stand-up comic by trade, Griffin expertly closed with a funny story about her friendship with Cher, which she still finds hard to fathom, and their inability to order a simple pizza without the help of an assistant.

Griffin's smart, funny and can talk a mile a minute. But it's not a mean-spirited act, nor was it the kind of funny that constantly brings tears to your eyes.

Unlike that chatty Kathy at the party, it's less about  spilling the beans on celebs and celebutantes than chiding them for their excesses, insecurities, facades and frail egos.

"These celebrities never (blanking) learn," she said, looking right at the audience, "what you already know."

 

 

El Paso has a special place in the hearts of NYC's Taking Back Sunday

Taking Back Sunday bassist Shaun Cooper says El Paso “is one place we’re looking forward to playing.”

They’ll do that at 8 p.m. Oct. 5 when the New York rockers headline Jim Ward’s new Tricky Falls nightclub, 209 S. El Paso. The Maine and Bad Rabbits open (tickets are $21.50 in advance at Maria’s Closet and holdmyticket.com, $24 at the door).

Their affinity for the Sun City goes beyond past performances to a special two-week period in April of last year. That’s when the five men who made their debut album, 2002’s “Tell All Your Friends” — singer Adam Lazzara, guitarists John Nolan and Eddie Reyes, bassist Shaun Cooper and drummer Mark O’Connell — ended seven years apart by meeting at Tornillo’s world-famous Sonic Ranch studios.

“It’s a great place to be alone to get past that first awkward hour and have no one else around,” Cooper said during a recent tour break.

The old tensions that tore them apart in 2003 quickly melted quickly. “We had a couple of beers, a couple of drinks and we were able to talk freely,” Cooper recalled. “It seems like the seven years went by in the bat of an eye. It’s crazy how quickly we reconnected.”

Nolan and Cooper bolted in 2003 to form Straylight Run. The others forged ahead with new band members and three more albums, including their 2006 million-seller “Louder Now.”

Cooper said the split was a case of almost instant success after “Tell All Your Friends” sold a surprising 500,000 copies.

“It came down to too much success, too soon and how we were individually coping with that,” he said. “All of the sudden our dreams were coming true. Life was moving way too fast. John and I needed to take a step back and analyze the situation and see if we want to have that kind of life.”

The pressure to follow “Friends” with a bigger hit album created serious tensions. “It messes with your head. We were young, dumb kids. When we left I had just turned 22,” Cooper said. 

Lazzara has said the chemistry of the TBS lineups that followed was never quite right. “We have a much better understanding of what each other brings to the table, personally and musically. We rely on that,” Cooper said. “We have a better understanding of each other’s personalities. We know when to give someone space when they need it. It’s a much more tolerant kind of thing.”

The Sonic Ranch sessions were surprisingly productive. They roughed out three songs the first day. “From what those guys told me, it took them four times as long to write three songs that weren’t as good,” the bassist said.

They eventually banged out a dozen songs, eight of which appear on their new, self-titled album, released June 28, recorded last fall in Los Angeles with producer Eric Valentine. They include “El Paso,” which they debuted last spring to tease the new album, a move designed to “throw people off,” Cooper said, because of its uncharacteristically aggressive sound.

It’s not the Marty Robbins classic, nor does it reference El Paso specifically. The title is a tribute to the city where they got a fresh start. It’s one of five new songs they’re been playing on tour.

“It’s going over so well. The (mosh) pits get pretty crazy,” Cooper said. “We were surprised. The initial reaction to it was mixed. When people heard it was the first new song, they went, ‘Ah, what is this? I don’t know’ But live it goes over, it’s very dynamic.”

So, apparently, is their memory of this place, especially when they play the song.

“We’re transported right back to El Paso,” Cooper said.

 

Win autographed setlist from Taking Back Sunday

Update

This contest is now closed.

Original story

You all know Taking Back Sunday is returning to El Paso Oct. 5 to play Tricky Falls.

You also probably know that the New York rockers wrote the songs for their new, self-titled album last year at Sonic Ranch in Tornillo.

But you probably didn't know that you can win a pair of tickets to the Tricky Falls show — and get an autographed setlist from the band.

Just go to my "That's the Ticket" column in this Friday's Tiempo and find the password.

Come back to this blog. Use the password to fill out the form to enter to win.

You can enter as often as you like. Deadline is noon Monday, Oct. 3.

We'll announce the winner that day.

The winner will be drawn at random.

Toro y Moi goes from chill to rock on 'Freaking Out' EP

Like a lot of young musicians of his generation, Chaz Bundick, better known as Toro y Moi, cut his teeth in a recording studio, not on the stage.

That's how his quieter, layered first recordings, made in his bedroom while a student at the University of South Carolina, got the nickname "chillwave."

But Bundick, 24, who returns to the Lowbrow Palace at 8 p.m. Oct. 6, has done a fair amount of touring since his lush 2010 debut album, "Causers of This," and his sound has evolved as a result.

"I felt more comfortable in the studio," he said from New York recently. "I'm just now getting comfortable in a live situation."

He relied more heavily on live instrumentation for second album, "Underneath the Pine," which came out last February, about a month before his first show at the Lowbrow, and touring with a band behind that album has bulked up his sound even more.

The result, the new "Freaking Out" EP, is definitely more rock and pop than chilled out.

"It definitely was influenced by playing live," he said of the new project. "Everything is so loud onstage. You think louder than you do in a recording studio. That pretty much was how my vocals came to be on 'Freaking Out.' More open (he laughed). I'm just singing louder."

There's no telling where Toro y Moi will go musically. Bundick, who runs his own Carpark Records label, has his Sides of Chaz project as an outlet for his more experimental and electronic stuff.

In the meantime, he's gone from looking down on pop music to embracing it. "I've kind of accepted pop music as a good thing," he said.  "I'm trying to make things poppier and trying to find hooks and make things catchier."

Unknown Mortal Orchestra and Bass Drum of Death will open the Lowbrow show. Tickets are $12, $15 for those 18-20, on sale at the club and Ticketbully.com.

 

Rapture is back: Win an autographed poster of the album cover art

Update

This contest is now closed.

Original story

After a five-year hiatus, the Rapture is back. The New York group that pioneered the fusion of punk and dance music follows the release of new album “In the Grace of Your Love” with a tour that brings them to Club 101 on Oct. 10. If you’re a fan, maybe you’d like an autographed poster of the album cover art. Winners will be notified on Monday. Just fill out the form below.

Concert update: Kings of Christmas, Paula Poundstone, Susan Orlean, Kyng

The Kings of Christmas, a 10-member band made up of former singers, actors and musicians from Trans-Siberian Orchestra, will open its first Christmas tour at 7 p.m. Nov. 14-15 at UTEP's Magoffin Auditorium.

Hmmm. Interesting. That's the same time that  TSO brings its winter/Christmas tour back to the Pan Am Center on Nov. 15.

Kings an interracial mix of four singers, including scruffy voiced Tommy Farese, Tony Gaynor, Guy Le Monnier and Maxx Mann.

They're backed by a six-member band, also made up of former TSO touring musicians.

The group's debut album is due this year.

Tickets are $55 and $65, on sale at 10 a.m. Sept. 30 at the UTEP Ticket Center, Ticketmaster outlets, ticketmaster.com and 800.745.3000.

In other concert news:

• Fans of comedian Paula Poundstone, who'll headline the Border AIDS Spotlight concert Oct. 13 at the Plaza Theatre, take note.

NPR's "Wait, Wait ... Don't Tell Me!," on which she appears, will make its debut on KTEP (88.5 FM) at 9 a.m. Oct. 1.

Station manager Patrick Piotkrowski said it has been the most requested show from listeners during fund drives.

"Because it is a news quiz,  it will be an excellent bridge between 'Weekend Edition' and 'Car Talk,'" he said.

The addition of "Wait, Wait" will bump "New Dimensions" from its Saturday time slot to 9 p.m. Sundays.

Poundstone performs at 7:30 p.m. Oct. 13. Tickets are $32.50, plus service charges, on sale at the box office, Ticketmaster outlets, ticketmaster.com and 800.745.3000.

• It's not a concert, but thought you should know that New Yorker staffer and "The Orchid Thief" author Susan Orlean will speak at the Fountain Theatre in Mesilla at 7:30 p.m. Oct. 23.

She's promoting her new book, "Rin Tin Tin, The Life and Legend," from which she'll read during the appearance. It will precede a show of a restored 1925 silent film starring the heroic hound, "Clash of the Wolves."

Tickets go on sale for $12 for Mesilla Valley Film Society members on Oct. 1, $15 for nonmembers beginning Oct. 15.

Go to mesillavalleyfilm.org or call 575.524.8287 for more info.

• Speaking of kings, Kyng, the California metal band opening for Wayne Static Oct. 7 at Tricky Falls, releases its debut album "Trampled Sun" today on Realid Records/ILG.

Eye Empire and One Eyed Doll also are on the Tricky Falls bill. Tickets are $16 at Maria's Closet and holdmyticket.com.

 

Concert update: Bunbury/Zoe, Houghton, Farina, Geremia, Five Finger, Catfood

Two of rock en espanol's leading lights are teaming up for a fall tour coming Nov. 22 to the Coliseum.

Spanish rocker Enrique Bunbury, who recorded a new album at Sonic Ranch, and Mexican alt-rockers Zoe' will hit the road for a two-week tour that will take them to Los Angeles, New York, Chicago, Miami, Houston, Dallas, San Diego, San Francisco, Las Vegas and El Paso.

Bunbury's new album "Licendiado Cantinas," due this fall, was recorded last June at the Tornillo studio where the Yeah Yeah Yeahs, Hanson, Conor Oberst, Mudvayne, Mercy Me and other big acts have recorded in recent years.

Zoe' recently sold out two club shows in El Paso. It's up for three Latin Grammys, which will be handed out for the 12th time on Nov. 10, including best rock song for "Labios Rotos," best alternative album for "Musica de Fondo: MTV Unplugged," which included an acoustic version of "Nada" with Bunbury, and best long form video.

The tour kicks off Nov. 16 in San Francisco, six days after the Latin Grammys, and ends Dec. 1 in Miami.

Tickets are $49.50, $65 and $75, plus service charges, and will go on sale at 10 a.m. Sept. 30 at the box office, Ticketmaster outlets, ticketmaster.com and 800.745.3000.

In other news:

• Christian singer Israel Houghton's much-rumored El Paso show is a go. Connie Paul Productions will bring the Houston singer, who fuses gospel with jazz, and his group New Breed to the Harvest Christian Center at 6 p.m. Oct. 23.

Tickets are $20 in advance, $25 day of show and  go on sale at 10 a.m. Oct. 1. They'll be available at the church, Lifeway Christian Store, Family Christian Store and itickets.com.

Paul also has booked Matt Maher for 7 p.m. Dec. 3 at the Coliseum. Those tickets should go on sale in October.

• DJ Mark Farina, a favorite with local electronic dance music fans, returns to El Paso for a three-hour set Oct. 20 and The Hoppy Monk, 4141 N. Mesa.

Doors open at 6, and it's a 21-and-older show.

"El Paso has always been one of his favorite cities to visit," says the club's Joseph Valenzuela, singling out a recent interview in which the DJ praised the Sun City for its "great house vibe."

The Chicago house and acid jazz DJ is probably best known for his "Mushroom Jazz" compilations — he's released seven between 1996 and 2010.

Tickets are $15, on sale at groovetickets.com and wanttickets.com.

• Blues singer and guitarist Paul Geremia will play the Rio Grande Theatre in Las Cruces at 7 p.m. Oct. 23.

Geremia, perhaps best known for his stylish acoustic guitar work and tradition-bound vocals, is being brought to the area by the Mesilla Valley Jazz and Blues Society.

Tickets are 10 bucks, on sale in Las Cruces at Enchanted Gardens, Hubbard's Music, Mountain  Music and the Music Box, and online at riograndetheatre.com.

• Talk about good timing.

While El Paso Opera continues buiding the hype toward its Oct. 7-9 run of "West Side Story" with a teaser performance Oct. 1 at Fort Bliss, UTEP's Cinema Novo will show the 1961 movie version of the musical, which starred Natalie Wood, at 7 p.m. Sept. 30-Oct. 1 in the UTEP Union Cinema.

Admission is $1 for UTEP students, faculty and staff with valid ID, and a whopping $2 for everyone else, on sale at the door.

Meanwhile, members of the El Paso Opera Young Artists Program, most of whom are UTEP students, will perform songs from the musical at 1 p.m. Oct. 1 at Biggs Park on post. It's free.

David Grabarkewitz directs the EPO production, which a handful of New York musical theater performers in the main roles. Performances will be at 7:30 p.m. Oct. 7-8 and 2 p.m. Oct. 9 in the Plaza Theatre.

Tickets are $20, $40, $55, $70, $85 and $90; $18, $36, $49.50, $63, $76.50 and $81 for students, seniors and military, plus service charges; on sale at the box office, Ticketmaster outlets, ticketmaster.com and 800.745.3000.

The opera company's biggest annual fundraiser, the dressy "Encores & Overtures," will be at 6 p.m. Oct. 1 at the Camino Real Grand Ballroom. Tickets are $125, with tables going for $1,250.

Call 581.5534 for more info.

• Five Finger Death Punch, whose new album "American Capitalist" comes out Oct. 11, will appear on "Jimmy Kimmel Live!" on Oct. 26. That's two days before they headline a free "Spread the Welt" tour stop at Speaking Rock Entertainment Center.

• El Paso's Catfood Records will release "The Best of Kay Kay and the Rays" on Nov. 15.

It comprises 15 tracks from the three albums the Odessa blues belter recorded with her band, which included bassist, songwriter and Catfood owner Bob Trenchard, an attorney now based in El Paso.

He's best known for his work with blues singer Johnny Rawls, who produced some of the tracks, along with noted Memphis producer Jim Gaines.

 

 

 

 

 

 

Concert review: Raskin, Gurt get EPSO conductor search off to strong start

I don't think anyone knew what to expect when Sacramento Philharmonic associate conductor Kenneth Raskin and Louisiana State University piano professor Michael Gurt opened the El Paso Symphony Orchestra's 81st season Friday and Saturday nights at the Plaza Theatre.

After all, Raskin is an unknown here, the first of six guys vying to become the orchestra's seventh conductor and music director this season. Gurt is even less well known, a guy who may be more professorial than performer.

They both made distinct impressions Saturday, Raskin with a friendly enthusiasm and obvious love and passion for what he does, Gurt with a subtle mastery and a focused, decidedly unflashy intensity on Camille Saint-Saens' second concerto for piano and orchestra.

As job interviews go, the ones the EPSO is conducting this season will be pretty public. Last week, Raskin, the first trying to replace the departed Sarah Ioannides, met the musicians for four rehearsals, attended lunches, dinners and receptions with board members, staff and wealthy donors, did press interviews and took questions from the public in pre-concert talks and post-concert Q-and-A's. Snippets of his performances will be posted on YouTube.

For all of this wining and dining, poking and prodding, these baton-wielding hopefuls will be evaluated by all of those entities through audience, musician and board surveys, not to mention comments posted on the orchestra's Facebook page. 

We'll know who emerges victorious after the season ends in April. If no one makes the grade, they'll do another search next year.

But if Saturday's performance — and the audience's response — was any indication, this is going to be a fun, if difficult process. Raskin stated his case emphatically.

Each candidate is bound to bring something different to the mix. That should be fun to watch. But it's going to be difficult for the others to match Raskin's tryout for its joyousness, adventurous programming and the sense of discovery on the parts of the musicians and the audience members.

Raskin's a fortysomething guy, affably chatty in interviews and q-and-a's, musically versed but in an enthusiastic, down-to-earth, personable way. He didn't stroll out to the podium so much as he rushed to it.

Once he got up there, he led the troops through the traditional, season-opening rendition of the national anthem, then showed a firm touch on 18th century composer Wolfgang Amadeus Mozart's Symphony No. 32 in G Major.

The Mozart piece had a light, lyrical quality, a gentle opener for the adventurous program to come. I have to admit that when the black-clad Gurt, who looks older and heavier than his press photo, came out, I thought he was a stage hand. He dressed casually, compared to the more formal threads most guest soloists wear.

He wasted little time dispelling that, with a technician's command of the keyboard but an emotionally sensitive articulation of the material, which veered from lovely, waterfall-like flourishes to muscular, almost gymnastic progressions. Raskin smartly yielded the proverbial spotlight, keeping the orchestra on its toes as Gurt worked his magic.

The audience of 1,000 greeted his compelling performance with a sustained ovation. Four curtain calls later, he encored with L.M. Gottschack's lively "The Banjo," which ended with a flourish as he raced through the "Camptown Races" finish.

The second half of the program is where the real audition took place. Raskin has an obvious enthusiasm and love for what he does. He wasn't afraid to challenge the musicians, or the audience with a program that closed with Gustav Mahler's everything-but-the-kitchen-sink First Symphony, also known as "Titan."

It's a wildly sprawling, cinematic piece of late 19th century music, with all kinds of things going on, including motifs that dance around each other, and others that roll around the orchestra from one section to another.

It requires a large orchestra, up to 100 players in ideal cases. EPSO's ranks swelled to 78, and just about everyone of them seemed to get their moment in Mahler's sun — Melissa Colgin-Abeln's precise flute here, Don Wilkinson's curling bassoon figure there, the expanded French horn section on its feet at one point, David Ross' clarinet raised at another. There's even a solo for principal bassist Robert Taylor.

From its slow, droning opening to its furious, rousing finish, the 50-minute Mahler symphony isn't exactly a tired warhorse. It's a complicated, demanding piece, both for the musicians and the listener. Both entities seemed to feed off Raskin's focused, energetic performance.

He not only made the orchestra sound better than it did much of last year, his sweat equity earned the obvious respect of the orchestra and its audience.

Is he the one?

It's too early to tell, but Raskin and Gurt got what promises to be an intriguing season off to a surprisingly good start.

Next up: David Handel, an American conductor working in South America and Russia, and classical guitarist Pepe Romero on Oct. 21-22.

 

Concert update: 'Formo-Chromo-Phonia,' EP Choral Society

OK, including an art show in a "concert update" isn't quite right, but there's a very musical aspect to "Formo-Chromo-Phonia," opening Sept. 29 at La Fe Culture and Technology Center.

All six artists in the show are also musicians, including Azucar's Fernando Lechuga, and they'll perform at the opening reception at 6:30 p.m. Sept. 29.

In addition to Lechuga, the other artist/musicians are Kiko Rodriguez (the muralist, not the guy who fronts Frontera Bugalu), Angel Jimenez, Javier Tarin, Rigo de la Mora and Juan P. Rodriguez.

The music will end around 8:30 p.m., but the show will be up through Oct. 28.

LFCTC is at 721 S. Ochoa, in the rear building. The numbre is 545.7190.

In other show news:

• The El Paso Choral Society will return to the Union Depot for its annual "The Gift of Christmas" concerts.

Prentice Loftin will conduct the El Paso Chamber Choir, which will be joined by the El Paso Brass, for the first concert 8 p.m. Dec. 3.

Tickets are $15, $10 for seniors (60 and up) and military, $5 for students.

The Young Ladies Choir, directed by Yvonne Marmolejo, will be joined by El Paso Brass at 2:30 p.m. Dec. 4.

Those tickets are $10, $8 for seniors and military, $5 for students.

Info: 479.0156.