The women of Girl in a Coma didn’t think twice about where to record new album, “Trio B.C.” The melodic post-punkers from San Antonio cut the new album, due this spring, over the summer at Sonic Ranch in Tornillo.

Doug Pullen writes about the national music scene for elpasotimes.com.
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The women of Girl in a Coma didn’t think twice about where to record new album, “Trio B.C.” The melodic post-punkers from San Antonio cut the new album, due this spring, over the summer at Sonic Ranch in Tornillo.
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There's hope for area Slipknot fans. The masked ones will bring their 33-city "All Hope Is Gone" world tour to the Coliseum on Feb. 28.
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"We are all pursuing magic," narrator Tony Gaynor intoned in that warm rasp of a voice during the first of two sold-out Trans-Siberian Orchestra concerts Tuesday at the Don Haskins Center. No kidding. It wasn't so much the magic of the story he was telling, part of the sprawling, somewhat rambling rock opera about hope, dreams and brotherhood known as "Christmas Eve and Other Stories" that started TSO's improbable journey 12 years ago — and which consumed about 2/3 of the 2-hour and 45-minute phantasmagoria that is the current TSO spectacular. It wasn't even the magic of one of the most dazzling light shows this side of Pink Floyd, who may have set the standard but don't tour anymore, so clearly they've abdicated the crown, Kiss notwithstanding. The magic was really in how a bunch of long-haired hard rock reprobates got the bored kid in front of me to sit up and bounce in his chair, the women near me who probably wouldn't get caught dead at any other rock 'n' roll show to rock out on air guitars, and maybe even the classical purist — they know who they are — who may have privately scoffed at TSO's audacious, rocked up reincarnations of classic Beethoven, Bach, Pachelbel and Mozart but were awed by how they pulled it off yet again. Tuesday's 4 p.m. show packed in to the Don at about 7,000 strong (just as many bought tickets for the second, including obstructed view seats for the 8 p.m.). The only glitch was the show started 15 minutes tardy, the better to get the packed into their seats. And, really, it's a show you don't want to miss. El Pasoans know this. The group's been coming here since 2000, but this year marks the first time the 17-member rock 'n' roll orchestra (augmented by six local string players) stuck around for two SRO shows — that's more than 14,000 people. Not too shabby. The high-energy performance certainly wasn't shabby. And as matinees go, they no more spared the energy than the expense poured into the eye-popping production. The light show itself was nearly worth the price of admission. Lasers, strobes, flames (colored, no less), star curtains, hundreds of colored lights and hardly a lick of video to be found. It seemed like every fixture had a light attached to it, including three massive moving grids suspended above the band, looking more like a mothership than a lighting rig. Heck, they even had lights stacked up behind the musicians, the way amps used to be piled up behind bands in the '70s. While there was a little overreliance on blinding syncopation (I had to look away a couple of times; my pupils were dilating like a stoner's), it was this year's amped up light show that was the real star of this rock 'n' roll version of a Broadway musical. But it's a tight band (there's an East Coast TSO band, too), all the more impressive when you consider a) there are so many of them on stage, nine of whom are singers used in varying capacities, and b) musical director Al Pitrelli, he of the soaring guitar solos (his instrumental "O Come All Ye Faithful/O Holy Night" was an early highlight), was forced to sit, his left knee in a brace, the result of a stage jump that tore his ACL about a month ago. It's a good thing fellow guitarist and ladykiller Angus Clark joined violinist Alison Zlotow on a noisy, fiery takeoff on a B stage in the back of the house (followed by a run up into the seating area) near the show's flame-filled finale. Doing classical music tricked out like '80s hard rock is no small feat, and the ensemble tackled it with impressive precision, whether it was a variation on Beethoven's "Fifth," a hyper medley of Tchaikovsky's "Nutrcracker" or "Christmas Canon," their perfect-for-PBS take on Pachelbel's Canon in D, complete with a soaring female chorus. Of course, you either like this sort of thing you don't. The notion of symphonic rock goes back to the Moody Blues, Frank Zappa and Deep Purple in the '60s. None of them could have envisioned it as this kind of popular entertainment. There is a certain "American Idol"-esque cheese factor to it. The singers are more generic than distinctive, and they lay on the melodramatic earnestness a bit thick. Former Journey singer Jeff Scott Soto's vocal on "A Star to Follow" during the "Christmas Eve and Other Stories" section was particularly overwrought. But such moments were few and far between Tuesday. The precision and intensity of the performance, the bewildering light show, well, it was magic. And a pretty good way to kick off the holiday season.
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Tonight is Glory, an emoish band from El Paso, will release "The Vision and the Reality" on Jan. 20 on Standby Records.
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A couple of bands well past their primes are headed to Mescalero's Inn of the Mountain Gods in February — Creedence Clearwater Revisited (Feb. 5) and Night Ranger (Feb. 27). Both shows are 21-and-older and start at 8 p.m.
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We've already lost two drummers in the past couple of weeks — Jimi Hendrix Experience's Mitch Mitchell and Mothers of Invention kitman and EP native Jimmy Carl Black.
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Hey, 20 bucks isn't bad for a club band that snapped up two major country music awards this year.
That's what it'll cost to see Lady Antebellum's March 27 show at Whiskey Dicks.
Tickets go on sale Dec. 1. They'll be available at the Boot Barn, Good Time Stores, Rudy's BBQ and ticketbully.com.
The trio — Hillary Scott, Charles Kelley and Dave Haywood — is two singles into its debut album and already has won the CMA and ACM for best new artist of the year.
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Coldplay's Chris Martin may be talking band retirement — could be the road fatigue — but his buddy Jim Ward sure isn't planning to tap into any retirement funds soon.
As if opening shows for Coldplay (through Nov. 26) with his band Sleepercar, or planning a week's worth of solo gigs in Australia and New Zealand (Dec. 6-13) isn't enough, El Pasoan Ward has found time to join members of Switchfoot, Thrice and Saves the Day for a Dec. 19 benefit concert in LA.
It's an acoustic show at the famed Troubadour with Switchfoot's Jon Foreman, Thrice's Dustin Kensrue and Saves the Day's Chris Conley, who'll launch a 10-city acoustic tour Jan. 21 as Where's the Band? without Ward (so far), but with the Get Up Kids' Matt Pryor and Bayside's Anthony Raneri.
It's sponsored by Myspace, Jedidiah Clothing and SocialVibe.
The concert's designed to raise awareness for Invisible Children, which assist women and children in war-torn Uganda. Bands including Fall Out Boy and Circa Survive are donating equipment to be auctioned for the cause.
"I think they are a solid group and found their (documentary) DVD moving and became a supporter," Ward said via e-mail from the road. "Being asked to be part of their
movement is an honor. I know some of the other guys playing but look forward to seeing them in an acoustic setting. I will be alone with a guitar."
Meanwhile, Sleepercar's tour with Coldplay keeps rolling on. The rootsy El Paso rockers joined the tour on Nov. 3 in Detroit and will continue through Wednesday, Nov. 26 in suburban Phoenix.
"I am losing it on this tour. Way too much going (on)," Jim said. The tour, he added, "is mad."
Most of the critics reviewing the final leg of the Coldplay tour, easily the biggest for Ward's new bad, have waxed eloquently (and not so eloquently) about the headliners, but are obviously too busy scarfing down the free food and drinks backstage to check out the boys from the border.
One reviewer from NewsOK.com, the Web site for Oklahoma City's The Oklahoman newspaper, offered these insights from the OKC show: "Sleepercar, out of El Paso, Texas, ... pleased the crowd with its strong vocals and nice harmony."
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Dust off the bong, Mary Jane, Cheech and Chong are headed our way.
OK, so the swanky Inn of the Mountain Gods isn't exactly the first place you'd hope to see them around here (it's too far ... whine), but it's probably not a bad place to see the aging comics, back together after more than 25 years.
Richard "Cheech" Marin and Tommy Chong will bring their "Cheech and Chong Light Up America" tour to the Inn at 8 p.m. Jan. 15.
Tickets are $20, $40, $60, $75 and $100, on sale now at the box office, Ticketmaster outlets, ticketmaster.com and 544.8444 or all 888.324.0348.
Known for their pot humor, peace-loving hippieness and a string of comedy albums in the '70s and movies in the '80s, the pair brought drug humor into the mainstream, and bits like "Basketball Jones" and "Santa Claus and His Old Lady" were radio staples in the duo's heyday.
They broke up bitterly in 1985 when Marin swore off the pot humor and pursued a solo career, which took him into the movies ("Born in East L.A.") and TV ("Nash Bridges," among many others), and he also became a renowned art collector, specializing in Latino art. He's exhibited some of the pieces from his collection, and lectured on them, in El Paso.
Chong also tried movies, stayed active as a touring stand-up comedian (I saw and talked to him several times whenever he came to Flint, Mich. in the '90s) and had a run as the burned-out hippie owner of a photo processing store in "That '70s Show."
They're dusting off old material for the reunion tour, which launched Sept. 5, 2008 in Ottawa, Canada.
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